Million Dollar Arm

Bill I’s Review – 3.5 out of 5

I loved it. Great story, based on real-life events, of a sports agent holding a nationwide contest in India to find a couple of cricket players who could throw a baseball with “juice” (i.e. fast and accurate), awarding them with a trip to the US to get professional training and a major league tryout. Jon Hamm is pretty perfect as the down on his luck agent, kind of like a 2008 version of Don Draper gone out on his own: arrogant, but with likable potential if he slows down from his fast track business focus enough to appreciate the people around him. The scenes in India give just enough local flavor to keep it interesting, while the secondary characters stand out, especially Alan Arkin as the jaded scout, Bill Paxton as the coach Tom House, and Pitobash as the volunteer translator and gofer who’s got big baseball ambitions but tiny stature. Lake Bell is good as the tenant neighbor love interest and wise voice of reason, while the two potential pitchers are realistically quiet and intimidated by the fish out of water experience, and end up doing a realistic version of pitching so it doesn’t look like typical Hollywood actors trying to be athletes. Finally, I must mention that the film was inspired by my college friend, Will Chang, who in real life funded the contest and helped initiate the film. The character that portrays “Mr. Chang” is quite harsh, which is very unlike Will in real life, so I assume they needed it for dramatic impact. Some critics have called the film corny and boring. I agree it’s no Jerry McGuire, and no Slumdog Millionaire, but it’s very enjoyable and I was never bored. Bring kids of all ages and you will have fun.

 

Omar

Bill I’s Rating – 4 out of 5

This movie is many things: a romance (Omar and Nadia are teenagers, almost sweetly naive, making eyes and passing secret love notes), a thriller (Omar and his two Palestinian buddies are budding terrorists/freedom fighters – take your pick as one reviewer said – striking back at their Israel occupiers/overseers in the West Bank in an amateurish but lethal way) and ultimately a political statement that portrays the helplessness and brutality felt by these young men. It is fast moving, realistic, well made film that includes some great chase scenes, chaste love scenes and in your face confrontations between friends and between captor/prisoner. Religion and historical disputes are not discussed, only the reality of the sad situation. Well done.

About Last Night

Bill I’s Review – 3 out of 5

Two buddies (funny, manic Kevin Hart and the more subdued Michael Ealy, fresh from his robot role in Almost Human on TV) meet two chick buddies (Regina Hall, right up to par in funny and manic-ness with Kevin, and Joy Bryant, the similarly subdued counterpart) and pair off, with predictable ups and downs and a (non-spoiler alert) nice happy ending. It’s not the plot that makes it an enjoyable film, rather the characters, and surprisingly the realness of the relationship between the couples. OK, not much realness between the crazy couple, but they are good for laughs amid the wild romps in bed.

Joy Bryant was a revelation to me; with her stunning beauty she steals the scenes she’s in, although I felt the tension between the two was somewhat artificial given how well they paired off. While it didn’t seem phony, I just wanted to slap Ealy’s character. A good date movie and I would certainly call it a chick flick. Good one to see paired with Non-Stop to get the testosterone going after this estrogen fest.

Non-Stop

Bill I’s Rating – 3.5 out of 4

Non-Stop it is, like Phone Booth, Speed or Snakes on a Plane, bad things will and do happen while our hero/anti-hero played superbly by Liam Neeson (in his Taken and The Grey persona of a hard, semi-beaten guy with a special set of skills) has to take over and save the plane-full of passengers. I enjoyed it throughout, although I admit that a recent TV episode of Person of Influence pretty much covered the same ground in half the time with twice the humor. Overall a thrill ride for a Saturday night, can’t beat that.

Wadjda

Bill I’s Review – 4 out of 5

I believe it’s the first film by a female director in Saudi Arabia, and an excellent one. It’s centered on a 10 year old girl, Wadjda, in her middle class life going to a religious, all-girl school school (of course), so fascinating to see the everyday life. Wadjda is different from the norm however, although to our eyes she’s a typical pre-teen who listens to rock music, doesn’t care much about school work, and follows her own interests. Her main interest here is to earn enough money to buy a bike. Problem is that girls don’t ride bikes over there, as everyone tells her including her stern principal and distracted mother. Wadjda has such a determination and is so captivating that this seemingly simple plot carries the film, and in an understated way, shows how girls are second class people. At ten, they have to come to terms with that they can’t be seen in public by men without their veils, they can’t keep their husbands from taking a second wife, in fact they can’t control who they are married to. The actor playing Wadjda is fantastic, I highly recommend if you can find this film. It’s not overly dramatic, somewhat comedic, and ultimately inspiring.

Saving Mr. Banks

Bill I’s Review – 3.5 out of 5

The ultimate Disney movie, produced by Disney, about the production of a Disney movie, with Walt Disney as a main character, some have objected that it’s an infomercial for the corporate giant but I had a different perception. I found it engrossing, enjoyable, and interesting, with excellent acting (Tom Hanks is very credible as Walt, but the dominant character is played by Emma Thompson as P.L. Travers, the auther of the Mary Poppins book whom Walt has been trying to convince to let him create the movie for 20 years). It’s set in 1963 during a couple of weeks when Mrs. Travers deigns to come to Hollywood and give Walt a chance, and is intertwined with flashbacks to the author’s childhood (alternating enchanting and tragic) in the Australia sticks. Parallels are drawn, and the Mr. Banks of the title, superbly played by Colin Powell, is a key figure in the author’s creative, social and emotional roadblocks. Paul Giamatti is excellent as her dedicated limo driver, and the Mad Men style of workplace is a backdrop to providing insights into the creative process, and helps you realize how great some of the original musical numbers are.

Bill C’s Review – 4 out of 5

Saving Mr. Banks gives you two good movies for the price of one!  Walt Disney (Tom Hanks) tries to cajole P. L. Travers  (Emma Thompson) into providing movie making rights and collaborating as Disney tries to turn Travers series of books into the Mary Poppins movie.  In a series of flashbacks  from Travers’ childhood, you see the key events and her relationship with her father (Colin Farrell) that influenced her work and outlook on life.

As portrayed in the film, Travers was demanding, the collaboration was difficult, and her giving rights to Disney was not a given until late in the process.  Some accounts say Travers was even more difficult to work with than portrayed in the movie, and ultimately she does come across as a sympathetic figure (with the help of a totally fictional character played by Paul Giamatti) that helps to humanize her. Despite the difficulties and some of her ridiculous requests (that lead to much of the comedy in the movie), the collaboration did result in a better movie.

The performances are good, especially Emma Thompson. The basic facts of the movie are pretty accurate, although how they portray various characters is open for debate (this is a Disney movie, so there is some conflict of interest). This is a moving movie and worth seeing.

Article About Authenticity of Film

IMDB

Rotten Tomatoes

Saving Mr. Banks Movie Review

The Secret Life of Walter Mitty

Bill I’s Review – 4 out of 5

Alternating between the drab reality of life at the bottom of the office food chain and unable to take any sort of initiative other than do his job exceedingly well (managing the photo negatives of a soon to be defunct Life magazine), and an incredibly realistic fantasy life, Walter (well played by Ben Stiller) goes into a trance while he fantasizes what he would really like to do at the moment, whether that be a super hero or romantic player. He paralyzes in the simplest act of asking out a cute office colleague, played straight by Kristen Wiig. I found this film enthralling, aided in great part by the fantastic photography and action scenes, some of which are imagined, and some of which are real. Wait for the skateboarding down a mountain road scene. Sean Penn and Shirley Mclain are perfect as a famed photographer and Walter’s mom (repspectively, do I need to say?). Family friendly, with a life affirming message, I recommend it for all ages.

The Wolf of Wall Street

Bill I’s Review – 4 out of 5

Leo Dicaprio gives an unforgettable performance as Jordan Belfort, the real life broker who rose from middle class “pond scum” errand boy at LF Rothchild to create his own empire at Stratton Oakmont, a high class name where he can teach other middle class millionaire wannabees to sell shit (aka stocks) to the greedy clients who don’t know any better. In one of the best scenes of the film, in fact of any film, his mentor, played wondrously by Matthew McConaghay, schools him that the point is not to increase the clients’ wealth but to increase his wealth by pushing the clients to keep making deal after deal, thereby generating COMMISSIONS for the broker. Jordan learns fast, and jumps into penny stocks where the commissions are much more, with much more opportunity to skim. This 3 hour film takes its time in seeing how these ravenous, mostly testosterone fueled, sales folks get pysched up for the game, much like a high school football team, except this is fueled by coke and hookers (well, unlike most high school football teams). Jonah Hill is fantastic as his partner in crime. The is a Scorcese film of course, with a voiceover like Goodfellas; in fact, with a protaganist like Ray Liotta’s character in Goodfellas, who comes from the middle class to strike it rich and goes out of control with his drugs, women and most of all unstoppable lust for the game. The downfall is also fascinating, with an unforgettable, and hysterical,  scene of Jordan and Jonah taking too many qualudes and then trying to make some quick decisions. A highlight for me was the newcomer, Margot Robbie (an Aussie with a believable Long Island accent), who believably stuns Jordan when he first lays his eyes on her, and of course, sets his mind to have her as one of his prize possessions. She never falls into caricature as a one dimensional jewelry obsessed bimbo, and in some ways serves as the audience’s point of view as Jordan spirals down.

I don’t think it’s among Scorcese’s top 3 films, or maybe even top 5, but it’s fun as hell and better what most other directors can do on their best day.

PS, for a sobering insightful perspective from the daughter of one of Belfort’s cohorts, read this: http://blogs.villagevoice.com/runninscared/2013/12/an_open_letter_1.php

Bill C’s Review – 3.5 out of 5

This is great film making if not a great film.  Scorcese is fearless in the choices he makes and he gets the most out of his cast.  DiCaprio is definitely deserving of an academy award nomination and it wouldn’t surprise me if Jonah Hill gets a nomination for the second year in a row.  He’s not just a funny man, he can really act.

I read the letter in the link that Bill included and I came away with a different view then the letter writer.  I didn’t view this as glorifying Belfort and his cohorts as they came across as pretty despicable, screwed up, selfish  and sad characters (while admittedly they had a good time along the way).  As Belfort narrated the movie I guess this took more of his view of the activities and was not supposed to be a portrayal of actual events as EVERYONE at his firm  (including the women)  seemed to get caught up and approve of the debauchery going on around them (drugs, sex and throwing little people  is frowned upon where I work).

I read that the initial cut for the film was 4 hours!  Even at 3 hours this movie definitely could have been tighter and shorter.  While I didn’t need it this movie did remind me to check the RunPee app on my phone before the movie stated so I would be prepared.  I think Bill originally recommended this app and it is a worthwhile app to have.  In addition to letting you know slow parts in the movie in case you need a break  it also lets you know if you should stick around at the end of the movie due to any added scenes at the end of the credits.

Definitely not his best but definitely worth seeing if you like Scorsese.

IMDB

Rotten Tomatoes

Here’s Margot Robbie as a service to our male readers:

Her

Bill I’s Review – 3.5 out of 5

This is a love story, between a man and ultimately his life. As we first meet Theodore (Joaquin Phoenix, in a tour de force, he’s in literally every scene),  he’s shuffling through his day-to-day blah existence, from his weirdly creative job (creating “handwritten” letters for other people) to his hotel room-like condo where he plants himself on his couch to play an interactive reality video game until he’s ready for sleep in a high rise in some not too distant future where men wear high waisted pants and almost everyone is talking on their invisible phones while they walk around. There’s no background noise, which sets an ethereal, plastic world feel, no garbage or poor people in sight,  and apparently no one watches TV or listens to the radio. Where’s Howard Stern when you need him. As it turns out, Theodore is an emotional, sensitive guy who’s having trouble getting over his split from his ex-wife and still friend, played by the lovely Rooney Mara. He ends up buying an “operating system” that is intuitive, so much so that he falls in love with her, named Samantha. Scarlett Johannson is incredibly evocative as this ultimate fantasy partner who can, and does, do everything possible to cater to his needs. (all wives should pay attention!) Kudos to a couple of small parts: Olivia Wilde plays a beautiful, charming girl Theo dates once (till she gives a hint into her obsessed psycho mind) and Kristen Wiig (I didn’t realize tlll the credits) histerically plays a sexy girl he has phone sex with. The film has an ending which I won’t give away, except to say that it doesn’t involve procreating little half human, half software beings. It captured my attention throughout, had quite a few funny moments, and ultimately delivers a message that we need to get the most out of the life we are given.