Deepwater Horizon

Bill I’s Rating – 3.5 out of 5

Disaster flicks have both come a long way, and stayed the same, from back in the day, such as 1972’s Poseidon Adventure. Similarities: A huge structure, which encounters a problem that quickly escalates into total destruction, while our characters take heroic, mostly, actions to rescue others, and try to escape with their lives. Come a long way in that the super HD reality of the structure is incredible, with the feeling that you are inside the oil rig (yes, that’s the name of it, Deepwater Horizon, true story), with things popping, dials rising into the red, water blowing gaskets (or whatever they blow), and fire and explosions go off while people get blown away, injured, jump into the fiery water, helicopters rescue, etc. I knew the story going in (oil rig blew up after it’s corporate owner, BP, cut corners in safety measures), but the suspense is high and overall great action throughout.

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Birth of a Nation

Bill I’s Rating – 4 out of 5

I resisted seeing this film due to the recently made public story of the director and actor, Nate Parker, being accused of rape years ago. It’s the Woody Allen, Roman Polanski issue, where I refuse to patronize these “artists” who have abused women/girls, whether or not they have been convicted. But, spurred on by a tweet from actor Hal Holbrook, along with Gabrielle Union’s online encouragement, I decided to see the film, and I’m glad I did. It’s very well done, incredible portrayal of slavery life on southern plantations in 1809.  Beyond what are now cliche characters (vicious plantation manager, maternal slave owner, incredibly cruel plantation owners, house slave, cotton pickers, etc.) it showed how religion was used to give hope of a rewarding after-life to those toiling this life’s hell, as well as to strike fear of a demanding God to obey their masters. Nat Turner does his duty, including being carted around to nearby plantations as the preacher who will keep the slaves obedient and in line, while their labor is extracted in the way one would ride one’s horse as long as possible while spending as little money and food as possible, no personal love or care necessary. Until a line is crossed, which in this case is rape and beating of his wife. Articles have been written protesting this subservient role of the black women, who in this film are powerless and serve as a reason, an affront to the men’s egos, who passively nod their heads while they see their men go off to act on violent, and certainly suicidal, rebellion. It becomes a revenge film at the end, portraying some graphic violence, and not in the Tarantino “fun violence” sense. The final scenes of “strange fruit” hanging from the trees are haunting, as is the crowd’s animal like lashing out as Nat is brought to the hangman. It made me think, has it really been only 200 hundred years since Americans acted this way? Slavery continued until 150 years ago. Lynchings and the KKK continued to occur until when, only 60 years ago? Civil rights violence with Bull Connor and the March in Selma was in the 60s. Haven’t we progress so far since then? Are we really such a progressive society? That’s a different film. In fact, such a film was made; I reviewed Fruitvale Station only 3 years ago.

The Birth of a Nation Movie Review

 

SXSW 2016 – Part 2

Below are the hilights from the final few days of SXSW

Movies

The American Epic Sessions – This will be on PBS at some point and is the 4th episode in the series.  20 musical acts were brought into record using original recording equipment from the 1920s that allowed 3 minute recordings.  Interesting with excellent music

Morris from America – Morris has to move to Germany and live with his father.  It is interesting to see how he adjusts to both his new environs and full time life with dad.

And Punching the Cloud – A good comedy (I assume) based on real life experience of struggling comedian Henry Phillips.  He has to decide whether to sell out and go for the big bucks or stay true to himself.

Bang! The Bert Berns Story – A good documentary about 1960s song writer/music producer Bert Berns.  His hits include Hang on Sloopy and he had mob ties which adds to the interest.

My Blind Brother – A good full length romantic comedy based on a short that first debuted at SXSW in 2003.  Two brothers (Nick Kroll and Adam Scott) both fall in love with the same girl (Jenny Slate who was great in Obvious Child).

Music

I saw about 20 bands and here are my top few (not in order)

  • Jake Bugg
  • Avett Brothers
  • Lucius
  • Thao and the Get Down Stay Down
  • Leon Russell
  • Iggy Pop

 

The Revenant

Bill I’s Review – 4.5 out of 5

A true artistic film, which I enjoyed much better than the director’s previous (award winner!), Birdman. An incredible nature film combined with revenge plot and survival movie, with an unforgettable scene of a grizzly bear mauling Leo Dicaprio’s character. Very little film trickery and special effects, with a group of trappers trying to get back to their fort (circa 1850?) in the west somewhere, in the middle of winter and intense snow, wind and rain. Native Americans show no mercy in their attacks, but the true savages are the white men (no women in sight besides a raunchy bar scene in the fort) who take what they can from who they can, and true compassion is as rare as a mild day. The plot is as simple as this: Leo needs to make it back to the fort in his wretched bear-mauled state, to get revenge on the dude (great Tom Hardy) who abandoned him and (spoiler alert) killed his kin.

Bill C’s Review – 4 out of 5

A couple of day’s ago I was bitching and moaning about how cold it was when the high barely made 50.  That evening I saw the Revenant.  I don’t think I would have survived very long in the 1820’s (especially after being mauled by a bear).

This is really great film making with great scenery and a brutal story (if you don’t like violence skip this one).  The opening scene reminded me of the opening battle scene in Saving Private Ryan showing the chaos of battle.

Leo DiCaprio deserves kudos but I’m not sure if it’s for his acting or just for persevering in those conditions.  Tom Hardy was also excellent (I think between Mad Max, Legend, this is the year of Tom Hardy).

IMDB

Rotten Tomatoes

Star Wars Episode VII – The Force Awakens

Bill I’s Review – 4.5 out of 5

By now all of you have already seen this film so you don’t need to read how good it is, how JJ Abrams (and my old friend Maryann Brandon as outstanding editor!) has invigorated this franchise with excitement, thrilling action, cool characters (both old and new), while retaining the spirit and continuity of Star Wars, advancing the plot in interesting areas and shocking outcomes. Instead of continuing to extol the great aspects, I’ll bring up one pet peeve which is the fact that action unfolds in one area of remote space (the HQ of the Empire, aka the First Order) while the Resistance (the good guys) monitor them from I can only assume light years away. I can choose to believe that they’ve figured out how to use worm holes to travel such vast distances in space, but how would they get communications on essentially a real-time basis (e.g. “their weapon will be fully charged in 15 minutes!”)? Oh well, fun time anyway!

Creed

Bill I’s Rating – 4 out of 5

Michael B. Jordan plays (no spoiler) Apollo Creed’s son, who is intent on following in his champion dad’s boxing gloves, and in fact seeks out who else to be his trainer and mentor, but Rocky, the one and only. Sly Stallone is perfect and actually great in reprising his character gone mellow and a little fatalistic. Young Creed serves to bring life back into the old man, while of course helping his nascent career rocket from nowhere to a championship fight. Does it matter if he wins? This film is appropriate for all ages, at least from 12 years old and up I think. Some of the plot is a little contrived (is there a supportive mother, a young beautiful love interest with some drama, a life or death moment? yeah, so what!). This franchise ain’t done yet!

Bill C’s Review – 3.5 out of 5

I’d like to see Jake Gyllenhaal from Southpaw and Michael B. Jordan fight in Creed 2 (I’m also curious to see if they can maintain their buff’ness for 2 movies).  Creed edges out Southpaw as best fight movie of the year.

The fight  scenes were terrific (although as in all fight movies if this were a real fight it would have been stopped by the second round).  The film was pretty predictable (except they didn’t figure out  a way for Rocky to yell ‘Yo, Adrian’) and the filmmaker was able to get you rooting for Creed the whole way.  Michael B. Jordan was excellent .  He and the director also made Fruitvale Station together (which is also worth checking out) . Stallone was also excellent.  My only complaints were the predictability and how depressing it is watching Stallone get old since I started rooting for him while he was a young contender!  If you like fight films check this out.

IMDB

Rotten Tomatoes

The Big Short

Bill I’s Rating – 4.5 out of 5

Excellent, thriller believe it or not, even though the ending is not in doubt, i.e. the housing market collapses, some banks go under and others need to be bailed out, and many people lose huge percentages of their net worth. This is all based on real-life people and events (it’s based on Michael Lewis’ book), although officially a work of fiction. The director deploys cool techniques to educate the audience on what exactly are these “exotic” financial instruments that the banks created to profit on housing bonds, meanwhile exposing them to exponential risks, while some outsiders figure out how to profit on their prediction of a bursting bubble. Have fun when you watch how they explain this in simple terms. Realize after you see this movie that nothing essentially has changed that would prevent such a financial collapse from happening again, and these “too big to fail” mega firms from having to get bailed out by taxpayers once again.

Bill C’s Review – 4.5 out of 5

Not only is this a really entertaining movie, it’s an important movie that tells a story that we seem to have already forgotten and not learned from.

Director Adam McKay, mostly know as comedy director and his collaborations with Will Ferrell, surprises with his ability to clearly inform on a complex subject while throwing in non-traditional touches (I loved his photo montages) to draw us into the movie.  He gets great and quirky performances from Christian Bale, Ryan Gosling, Steve Carrell and others.

As Bill says, ultimately this movie tells a sad/scary story that unfortunately could happen again. It makes you mad.

IMDB

Rotten Tomatoes

Black Mass

Bill C’s Review – 4 out of 5

Black Mass is the story of crime boss Whitey Bulger and his relationship with the FBI prior to his 16 year life as a fugitive.

I liked this a lot.  It is reminiscent of Goodfellas (although not as good).  Johnny Depp gives a great performance as Bulger – nice as can be one minute and then a psychotic murderer the next.  Joel Egerton (who Bill and I both liked in The Gift) was also awesome as Bulger’s FBI handler.  He gives a really nuanced performance as someone heading into the abyss as he lets Bulger use him and forgets what his true role is.

This also has a great supporting cast.   Benedict  Cumberbatch plays Bulger’s brother, a powerful Boston politician.  Peter Sarsgaard is terrific as a drug addict.    David Harbour is also a standout as an FBI agent.

If you like this type of movie  (and don’t mind violence) this is definitely worth seeing.

Bill I’s Review – 4 out of 5

I liked it a lot, same as Bill C, although my rating is closer to a 4- or even 3+, because it’s not close to Goodfellas or Departed (another film that is based on Whitey Bulger, although fictional). I think I liked Ben Affleck’s Town better. This film apparently sticks close to the book written by Boston Globe reporters. I lived in Boston during the heydey of Whitey, and all I knew was that the major crime figure in town was free to walk around while his brother Billy ran the state senate, as the most powerful politician around. This movie doesn’t show really the crimes other than whacking his enemies, or supposed friends, or his scheming, rather it’s a character study of a sociopath, played compellingly by Johnny Depp, and the incredible gullibility/blindness/one-mindedness of the FBI as they focus on the Italian mafia as they let Whitey do his thing, supposedly giving them valuable information, which of course is mostly bogus or invented by his Southie buddy on the FBI. I really liked when they cut to the Winter Hill Gang members who end up informing on Whitey, in order to shave years off their sentences. So, overall an enjoyable couple of hours, and standout performance by Depp and others, but a somewhat cliche story portrayed in a straightforward fashion.

IMDB

Rotten Tomatoes

Black-Mass-Movie-Review

Mistress America

Bill C’s Review – 3 out of 5

Noah Baumbach and Greta Gerwig team up again in this new comedy.  As in the entertaining Frances Ha, they share writing credits and Baumbach direct while Gerwig stars.  If you liked Frances Ha you will probably like this.

Gerwig stars along with Lola Kirke.  Kirk plays Tracy, a college freshman in NYC who is  lonely and bored.  Tracy meets Brooke (Gerwig), soon to be her step sister, and Brooke show her how to open up and try to get more out of life. Though Brooke’s plans don’t always work out she is going for all the gusto.

Greta Gerwig is one of my favorite actresses during the past 10 years and, as usual, doesn’t disappoint.

IMDB

Rotten Tomatoes

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Ricki and the Flash

Bill I’s Rating – 3 out of 5

I would say this is a good movie to see on TV except that the music scenes are best experienced on a big screen. Meryl Streep can rock it out! And I’m sure it helps that her lead guitarist is an actual rock star, Rick Springfield. His role as her long-time adorer and FWB friend was not as believable. She plays a middle aged leader of a bar band who abandoned her young family years ago, and now her ex husband asks her to come back to help her daughter get over a painful marriage breakup. The best part for me was to see the perfect interactions with the resentful daughter, played by Meryl’s real-life daughter, Mamie Gummer. Again, not so believable to me was to envision that Meryl’s younger character somehow found a soul-mate in Kevin Kline’s formal, upper class cliche father. And the film relies heavily on ugly over-done eye shadow and weird braided hair to show how much Meryl is out of the mainstream. But, overall a pleasant movie.